Lisa Renee Jones
Publication Date: 09 March 2021
Detective Samantha Jazz has just returned to work after traumatically witnessing the murder of her father, who was also a detective, but a dirty one. She and her partner, Detective Ethan Langford are assigned to a murder case which takes place at a poetry reading. She quickly determines that the killer is obsessed with poetry and assigns him the nickname of The Poet.
Quite early on in the investigation, the computer expert finds a Professor Newman Smith who, for one semester, had a course called Abstract Poetry and Criminology. On the strength of this information alone, Jazz is convinced that Newman (she always refers to him by his first name) is their man and concentrates her investigation solely on him. For most of the first half of the book, Jazz charges about energetically trying to trap Newman in spite of lack of evidence and advice from several people who caution her to broaden her thinking.
It is only when Newman is proved to be innocent of the killings and the investigation goes off in a different direction that I began to get invested in the story, although Jazz still isn’t any nearer to finding the elusive Poet. It is left to the sections written from the killer’s point of view to reveal a large part of his motivations. I felt a bit cheated because the denouement is all crammed into the final few chapters, revealed to Jazz almost by happenstance, so there was no build up of tension to keep the reader eager to know if their suspicions were right.
Overall, I felt that this was a book I should be really enjoying. Jazz is quite feisty, secondary characters are really well drawn in and there is a liberal sprinkling of red herrings and some deft touches of humour. Unfortunately, it was let down by an unrealistic plot which required too much of a suspension of belief for me.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own